“The Last Stand”
written by Andrew Knauer, Jeffrey Nachmanoff and George Nolfi
directed by Jee-woon Kim
Starring Arnold Schwarzenegger, Forest Whitaker, Peter Stormare and Eduardo Noriega
Rated R
107 Minutes
written by Andrew Knauer, Jeffrey Nachmanoff and George Nolfi
directed by Jee-woon Kim
Starring Arnold Schwarzenegger, Forest Whitaker, Peter Stormare and Eduardo Noriega
Rated R
107 Minutes
Aside from a couple glorified cameos in “The Expendables” features,
Arnold Schwarzenegger has been absent from movies for nearly a decade. He makes his return in “The Last Stand,” an action
movie that recalls some of Schwarzenegger’s classic tough guy roles. This is a competent feature from director
Jee-woon Kim, making his American directorial debut. While it doesn’t do anything innovative with
the genre, “The Last Stand” is pleasantly old-fashioned, with sporadic bursts
of spectacle on-par with “The Fast and the Furious” franchise. This is a brisk, entertaining flick that
knows how to flex its muscles.
Arnold Schwarzenegger has aged pretty well, and the
screenplay wisely avoids overdoing it on old age jokes; although there are a couple
jabs at the star’s expense. The
narrative is absurdly expository, composed of throw-away dialogue that lays
everything out for the audience. That’s
okay; because this is the kind of feature where you aren’t required to think
much. It helps that Jee-woon Kim knows
precisely what kind of material he’s working with, and injects the picture with
a gleefully western sensibility.
Schwarzenegger plays Ray Owens, Sheriff of a small Arizona town
dubbed Sommerton Junction. Owens has
retired there after a hard, decorated career with the LAPD; and wouldn’t you
know it, he’s about to start a relaxing weekend off. Even a vague familiarity with this kind of
material will tell you what happens next.
Up in Las Vegas, ‘the most dangerous cartel leader since Pablo Escobar’
is about to be transported by the FBI.
His name is Gabriel Cortez (played by Eduardo Noriega), which is about as
generic as you’d want a cartel leader name to be. FBI Agent John Bannister
(Forest Whitaker) heads up the transport, but of course, things don’t quite go
as planned and Cortez gets sprung by his endless army of heavily-armed thugs.Driving a super-powered Corvette, Cortez flies down the highway at top speed en-route to Mexico, while his lead henchman Burrell (Peter Stormare) builds him a ‘mobile assault bridge’ across the canyon border just outside Sommerton Junction. Agent Bannister leads a conventionally inept effort to stop Cortez by setting up wimpy roadblocks to get ploughed through by a couple heavily-armored assault vehicles that are seen exactly one time. Whether these are driven by Burrell’s crew is unclear; if so, they are quite skilled at being in two places at once, but nevermind. As these things go, there is only one man capable of stopping Cortez and his crew, and Bannister predictably calls on Sheriff Owens to lead the titular last stand.
This is all a good deal of fun, with a surprising amount of
gratuitous violence, which is about right for a movie like this. Owens relies on a skeleton crew of Deputies
including Luis Guzman in a classic Guzman role, Jamie Alexander as the pretty
face and Zach Gilford as the doomed rookie.
One of the film’s mistakes is the casting of Johnny Knoxville,
essentially playing the same manic version of himself that he always
plays. In a movie that already has plenty
of light moments, his buffoonery is a bit much, although it is through his
character that the small team is able to acquire adequate firepower to battle
the onslaught of villains. The rousing
climax packs a punch, with well-staged action that highlights Arnold’s strength
as an action star. He’s still got it for
sure, and holds up quite well in a last-ditch fist fight on that assault
bridge. One of the stand-out sequences
is a clever take on corn field hide-and-seek played out entirely between two
cars.
“The Last Stand” is perfect for a rainy day viewing with
popcorn held firmly in hand. If
anything, it is elevated past its many clichés by sure-handed direction and the
nostalgia of seeing Schwarzenegger back on the big screen handing out beatings
and gunfire. There is a late scene where
a diner patron asks the Sheriff how he’s doing.
“Old,” Schwarzenegger says. The
patron replies “nah, you still got a ways to go yet.” Let’s hope so.
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