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Sunday, November 20, 2011

Team Jacob


I must preempt my review of "The Twilight Saga: Breaking Dawn-Part 1" by stating that I put the novel counterpart down after the events that this movie translates to screen.  Everything Stephanie Meyer had built up her readers to expect was shattered with her horrific description of vampire pregnancy and birth.  It went too far and I was disgusted.  I must also mention my bias in my dislike of Stephanie Meyer's writing in general; within the novels, characters act out according to contrived plot developments and speak things that just don't make much sense.  Her main character, Bella Swan, attaches herself to dangerously possessive men and loves to punish herself.  The first "Twilight" film adapted these shortcomings into a script that didn't give the actors much to work with; it was awkward.  The subsequent films in the saga, each with a screenplay by Melissa Rosenberg, have evolved in such a way that the actors, I believe, have taken liberties to invigorate these characters with some much needed humanity.  Having increasingly qualified directors helped too.  As directed by Bill Condon, "Breaking Dawn-Part 1" is an exceptional offering in the series and a pretty terrific film in its own right.

Anyone who has read the novels or listened to teen girls talk must know that the opening events of "Breaking Dawn" see human Bella (Kristen Stewart) about to marry Edward Cullen (Robert Pattinson), the very handsome vampire.  Since vampires are immortal, "death do us part" doesn't apply here.  It's a very nice wedding, well accepted by everyone except Jacob Black (Taylor Lautner), the werewolf.  Within this love triangle, females across America have by now made a choice between 'team Edward' or 'team Jacob' and as far as the novels go, I'd say either one was a raw deal.  The actors are talented enough to create some depth that was lacking in the books.  Perhaps that is because Taylor Lautner and Rob Pattinson must instinctively know what goes on in a young man's mind, whereas Stephanie Meyer can only imagine.  Forget about Vampires and Werewolves, anyone can hash out a mythology for that; it's been done for centuries.  But I digress.

What follows this wedding is a honeymoon that only Royalty have experienced and that Stephanie Meyer can only dream of.  The only caveat to that is Edward has skin that is basically cold granite disguised as flesh and poor, virginal Bella is a fragile human.  How they make this work, the movie graciously doesn't reveal.  Needless to say, Bella is left with minor bruising and something worse writhing around inside her.  This requires an emergency trip home so that Edward's 'father' Carlisle (Peter Facinelli) can try to figure out what exactly is in there.  He can't.  This leads to complications with Jacob's pack of werewolves because, as they see it, whatever Bella is about to produce from within is an abomination and violates an already fragile treaty.  This development forces Jacob to make a choice between his family, and a family comprised of his natural enemies and the girl he has inexplicably loved despite her growing attraction to the un-dead lifestyle.

It is in these events that "Breaking Dawn-Part 1" carries its emotional heft.  I have felt throughout the series that Taylor Lautner is the better actor and he really applies himself here and conveys an agony that resonates well.  Certainly, Edward has been making hard choices for a long time, and makes them still.  But as the film gathers tension, it was in Jacob's hard choices that I was most involved.  If it comes down to logic and well-being, he is clearly the better choice for Bella, as he has lamented for three films.  Even after her choice is clear, Jacob sticks around and makes vital decisions that save the entire Cullen clan more than once.  These scenes are captivating and well-choreographed, some with really impressive digital effects.  Other digital effects are convincing, but also disturbing because of what they convey.  You won't have to guess which.

Each subsequent film in the Twilight Saga has had a new director.  This choice was deliberate and with David Slade directing "Eclipse", I didn't think it could get much better than that offering.  Bill Condon has raised the stakes, only to be outdone by himself when "Breaking Dawn-Part 2" comes out next year.  He has a great eye for shot composition and is a marvelous visual story teller.  This is a beautiful motion picture with a vibrant color pallet that seems to shift with the tone and themes.  I have a hard time deciphering the themes in the novels, if there are any; but since "New Moon", the movie versions have seemed to each convey a self-contained resonance.  For "Breaking Dawn-Part 1", I felt a strong sense of sacrifice and how it forces people to grow up, even when there are comforts around them.  Bella is about to say goodbye to mortality, Edward faces his worst fears about himself and Jacob puts aside everything he thought he knew about himself to make the right choice.

I was completely unprepared for this movie.  Compared with the original "Twilight", it is hard to believe they are adaptations of the same literary universe.  I am never one to get very involved with comparing novels to their film counterparts, but in this case, there is no comparison; the films are far and away the better medium to tell this story.  Perhaps the freshness of new directors has been the driving force behind the relevance of this franchise, as with the "Harry Potter" films.  Whatever it can be attributed to, there is no denying that Bill Condon has crafted a moving and elegant film.  It does not make me want to finish reading the Breaking Dawn novel, however.  For whatever happens next, I'll catch it in "Part 2" next November.  The novel is just too gross.  The film is engrossing and for me, that is worth the wait.

2 comments:

Anonymous said...

I will have to politely and respectfully disagree with your opinion of Stephanie Meyers writing. I strongly believe that the novels portray this love story with visually appealing detail. I was personally able to picture the characters, even before the films. Each film did well to translate and portray the novels, and grew increasingly suspenseful. This is by far the most anticipated and fantastically delivered novel-turned-film that I have had the pleasure of comparing.
It goes without saying that I am Team Edward for the simple fact that his laid back, sophisticated nature takes Bella a step or two away from the anxiety and drama that the unfortunately immature young Jacob brings to poor Bella's life. Jacob loves Bella conditionally, whereas Edward sees through the ignorant Bella's seemingly uncalled for decisions (dating, marrying, sleeping with, and carrying a vampire). Both men have a very impressive undying passion for the oddly attractive Bella, and even though he is dead, I would take the hardened, cold, sparkling Edward over the annoyingly half naked, bossy, dog smelling Jacob any day.
I agree that the explanation of the carrying and delivering of the immortal mortal makes absolutely no sense and is horribly gruesome. First of all, if the baby is a vampire, it would not be growing older. And if it is human, it wouldn't have brought the stress to Bella's body that it did. So the half in half version is by far the most far fetched fantasy of all confusing fantasies.
It is obviously all meant for simple entertainment.....which I keep in mind through every scene as I laugh, inhale sharply, or yes, cry.

Clayton said...

All valid opinion. And I'm assuming by the passionate, over-thought descriptive words in the comment that you are the novels' intended audience. As a guy, I'm not and I was trying to salvage what does work from what doesn't.
As far as it being the "most anticipated and fantastically delivered novel-turned-film" I have to disagree there. That distinction is shared with "The Lord of the Rings" and "Harry Potter" and both of those have come and gone. It's all down hill from here. The box-office numbers don't lie. Meyer's writing and audience is limited by narrow-minded fantasies of unrealistic male traits. Although, since comic book movies are far more aniticipated than many other genres, and since they are based off literary counterparts, I'd say they take the cake.